女售票员才是鬼;这片始终挑拨的是我们对空镜非空的期待;切尔西真有你跟在龙门后面放现实散乱而电影聚合Never have I been so aware of the presence of audience during a film. Ppl around me, and me myself. This awareness is acute, loud, even piercing. I watched a screen within a screen within a screen
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"They told me to take a streetcar Desire and then transfer to one called Cemeteries and ride it six blocks and get off at Elysian Field. "观影感受十分刺激——先是转场吉他突来的刺耳后是跟着Blanche不断受罪(GA的表演太浸入了)我好奇Blanche曾属于上层阶级的她如何沦落到此故事随着她自己口述而逐渐揭开高潮不断一方面欲望支配了她一步步走向生活的深渊另一方面她的伤口被Stanley粗暴、无情的撕开观众也从对她的轻蔑转为同情:她命运的悲剧必然受着其他原因支配当新旧文化快速转换、交替像Blanche这样单纯、缺少心机的女性28岁未成年需要的或许